It also fixes problems that many photographers will be working quite hard to avoid in the first place. When it doesn’t, it’s a bit disappointing, especially in view of the cost and the time it takes. When it works, Topaz Photo AI is very good. You can adjust the noise removal using two basic sliders to remove noise and sharpen. It automatically gets rid of digital noise in grainy areas while preserving the detail. Topaz Photo AI is expensive and quite slow to use, and while it can fix some photo problems remarkably well, they have to fall into what I’ll call its ‘fixability window’, and you have to have enough of these problem photos in the first place to make it worth the cost. Topaz DeNoise AI is the best noise reduction software when putting all its features together. With phone images I found it tended to upscale the phone processing artefacts rather than finding or adding new detail. I upload raw images to Lightroom for Ipad using a sd card reader. The upscaling works really well on images with good intrinsic detail and not too much processing – such as those from a DSLR or mirrorless camera. Windows Tablet recomendation for use with Topaz Denoise 3 months ago Currently using Ipad Pro 11 M1 for Lightroom for when I'm travelling away as I prefer a smaller form factor and using a pen (Apple pencil) works well and quickly whilst away. The Upscale and Enhance Resolution tools will often be used together. There is a ‘processed’ look about the results, but it’s still an effective tool for rescuing or enhancing unrepeatable people shots. It works surprisingly well on people who are just out of focus or not quite sharp. While in the Lightroom Classic Grid view, right-click on a RAW file that you want to open in DeNoise AI and select 'Show in Explorer' Step 2. The Recover Faces tool kicks in when the software recognizes faces in the frame and thinks they need fixing. Shots that were just slightly soft underwent a pretty dramatic transformation, and shots with poor focusing had variable outcomes – often with obviously processed edge detail and ‘filling in’ of the sort you see with over-processed phone images. I found that shots on the wrong side of its ‘fixability’ threshold were made worse – including any kind of double-image blur from camera shake. The Sharpen process can be spectacular or bad, depending on the image. I wouldn’t put this in the same league as DxO’s DeepPRIME XD processing. I found myself pushing the Detail slider up to maximum and the Strength slider down to zero to get results that looked smooth and crisp. The noise removal is very effective but quite aggressive by default. The results vary, depending on the quality of the image you’re starting from and its particular issues. The recovered detail in the rocks and the leaves, top right, is pretty remarkable. What I was talking about (and this video shows), is the possibility of a all Raw workflow with a future Denoise and Z9, where on can directly bring a Nef into denoise, apply denoise, save it as DNG, bring it back into lLghtroom and start editing just like a raw file.This is the most spectacular outcome, though the Autopilot didn't think this needed sharpening it all, so it was done manually. This is what Topaz describes as a well-rounded noise reduction coupled with detail preservation. So what you wrote is a given and of course once topaz is given the information on the HE file format they can update all Topaz products to support them. With version 3, Topaz states that they have created a completely new AI engine and offers a new low-light model to give better details in dark areas. You can only open the raw file directly in Topaz. You can't use the plugin without it converting it to Tiff. I personally would prefer to keep a DNG file, than converting to tiff. This video shows, what should be possible in the near future, when Topaz Denoise is fully compatible with the Z9 raw files. Yes, but the raw file has to be converted befor it goes to Denoise. It's even taken Adobe time to optimize the HE/HE* files. IIRC Gigapixel required only 8 GB, which is met by any M1 or M2-based iPad down to the 599 iPad Air (5th gen). and HE * is a new proprietary raw format that will take time for Topaz. Both Topaz Photo AI and Video AI for Mac require at least 16 GB RAM, and the only Apple handheld devices with 16 GB RAM are the 5th and 6th gen iPad Pros with 1 TB or 2 TB storage (the cheapest of which costs 1499 new). You can not just use Denoise or Sharpen as a stand alone raw editor however and that may still be some time. Yep I have been using Topaz for HE* since LR 11.1 by just using the plug in for topaz without issue.
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